Hanna is full of questions without answers. I don't mean those about the eponymous Hanna, the mysterious teen who can shoot, run, jump, kick and punch her way out of any situation, or about mystery man Eric Bana who claims to be her father, or why they're relentlessly pursued by Kate Blanchett's power-dressing wicked-witch of the West.
I mean other questions: who was Hanna made for? Why do we need it? Why has director Joe Wright broken a credible run of dramas (Anna Karenina, The Soloist, Atonement, Pride & Prejudice) to make this luke-warm, misplaced espionage caper? Read more of this post
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